SIGNALS IN NOISE

ON STAGE

Ensemble Vortex: Anne Gillot – Paetzold flute / bass-clarinet, Romane Bouffioux – percussion, Rada Hadjikostova – violine, Benoît Morel – viola, Aurélien Ferrette – cello, Arturo Corrales – sound engineer / live-electronics

The Six Tones: Nguyễn Thanh Thủy – Đàn Tranh / Performance, Ngô Trà My – Đàn Bầu, Stefan Östersjö – 10-string-guitar & Vietnamese electronic guitar, Henrik Frisk – saxophone / electronics, Marie Fahlin – choreography «Đào Tam Xuân», Jörgen Dahlqvist – video «Đào Tam Xuân»

PROGRAMME

Daniel Zea: «Desplazados» (2016)
The Six Tones / Traditional: «Dạ Cổ Hoài Lang» (2026)
Anna Korsun: «Sottilissime» (2019)
Richard Karpen / The Six Tones: «Đào Tam Xuân» (2013)
Rama Gottfried: «Apophänie» (2016 / 17)
Eva Reiter: «Tourette» (2008)
Henrik Frisk: «Drinking» (2014)
Romane Bouffioux: «Audible Survie Méditative Rasante (asmr)» (2023)
The Six Tones/Traditional: «Hề Mồi» (2026)

The opening of the SONIC MATTER Festival 2026 welcomes you to spend an evening of being carried away by a stream of changing worlds. Guests include the Geneva Ensemble Vortex and the Swedish- Vietnamese quartet The Six Tones. Both have been experimenting with their own musical traditions for around 20 years, constantly examining the spirit of the times. «Signals In Noise» is a journey through its ambiguities: with a total of eight pieces, the programme explores virtual escape routes that lead to real people, as well as the changeability of role models, the promises and absurdities of the wellness cult, and dark omens that ultimately vanish into thin air.

TICKETS

35 / 45 / 25 – Legi 15 CHF

INFORMATION & ACCESSIBILITY

You may leave and re-enter the event at any time.

There are sections with particularly loud moments and rapid light changes.

The Rote Fabrik Zürich / Aktionshalle is wheelchair accessilble.

COOPERATION

Rote Fabrik Zürich